This is a picture of me at a wrestling competition the other day. I won two matches and came first.
That's me in the blue.
NICK
CRACKED ACTOR AT BOOTLEGS
LAST PROM- HITS AND MEMORIES
Aleister Crowley High School's favourite cub reporter Adam Thomas took an awesome array of posed shots at The Last Prom. The following are merely a sample!
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AN APOCALYPSE IN ONE ACT!
So after months of writing, rehearsing and tearful grappling with social media, The Last Prom grand finale has taken place. My long- held ambition to stage a live narrative concept album has now passed into cockamamie reality.
And by every important measure, it worked. All thanks to the most incredible group of artists and performers I've ever worked with, and one stellar crowd.
On the night, we had to wait for the Canberra Youth Orchestra to finish there rehearsal before we could even begin to set up, leaving us with just 3 hours to transform The Ainslie Arts Centre into Aleister Crowley High School. We were still getting sound check done when the crowd began to arrive, but luckily my amazing friends The Sinbirds (pictured below) covered our asses by performing a warm-up set in the carpark.
After that, the entire night was almost derailed when our smoke machine set off the fire alarm (shout out to the local firefighters for their quick response time). Nerve-racking, but nothing could have derailed my excitement by then. People had come! Lots of people! And they'd come in costume, with their own characters, ready to fully immerse in the story world. I was overcome with gratitude, and high on the absolute faith that I had in my band.
Ladies and Gentlemen: War! Famine! Pestilence! Death! And myself, The Antichrist!




Over a breathless and surreal 50 minutes we played 10 songs (that had never been played to an audience before) and told the story of the Antichrists's tragic love story with Death. I managed to pull off my lines to an acceptable standard, but most of the dramatic heavy lifting was handled by our director Joel Barcham in the role of the SOCE teacher and Ali MacGregor and Bib Cain as The Muses Of The Apocalypse.


Julia 'Death' Johnson definitely had the toughest role, singing co-lead in all of the songs while assaying her transformation from Death to Death-disguised-as-mortal-girl to Death-as-prom-queen-of-the-apocalypse. She was completely amazing, despite the failure of her keytar strap to fit over her shoulder carapace (your standard performer issue).

Once the show concluded, the real main event was the epic after party set by Dead DJ Joke, who's been a critical part of The Last Prom experience from the start.
There's already some voices calling for us to restage the show, but I'll have to sleep for a good hundred years before I can think about that one. Meanwhile, I'll post more photos and a couple of reviews soon. All photos by the star of The Aleister Crowley Student Newspaper, Adam Thomas!

A VERY BABYFREEZE CHRISTMAS
THE LAST PROM… IS TONIGHT!
THE LAST PROM IS THIS SATURDAY!
This Last Prom project has stretched me in more directions than any other arts thing I've ever done. Songwriting, scriptwriting, singing, band-leading, acting, producing, comic- book writing, webisode- making and, as you can see from the above photo, craft assistant! We had a dress rehearsal on Saturday and it's got me ultra-excited for the show. Shout out to all the special people who've done such special work toward this special night.
THE LAST PROM – REHEARSAL
Nick and I shot this promo for The Last Prom show next week, showcasing their lighter side. We’d wanted to shoot at the same location as the last one, but there was about 12 noisy Ultimate Frisbee games going on. We ended up in the loading dock of the Watson IGA.
THE LAST PROM – STARGAZING
After the frenetic pace of the WAR promo (and the anarchic nature of One Pot Punk Rock), it was bliss to work on something languid and deliberate. I had the idea for this scene, then Nick and I went back and forth on the script. It’s only three shots, but I’m pleased with all the nuances, both in the editing and the camerawork:
- Car tail lights (bokeh’ed into blinking orbs) as stand-ins for stars (both already shorthand for longing and desire – I recently re-watched Idiot Box and love the scene on the overpass where they imagine the bright futures of the people zooming past underneath them).
- How the tail lights initially lead Death towards The Antichrist. When they return, they push away from her.
- Death’s footsteps falling in time with the music.
- Pulling focus on Death’s face when The Antichrist directs a question at her, then having the focus shift back, in time for the line, “… distant and mysterious and inscrutable.”. Depth of field as subtext.
I also had fun with the text – finding the right shade of honeyed moon, and bunching it together for a bespoke look. Just little things, but that’s all filmmaking consists of – tiny, constant decisions building towards a whole. I love how every shoot teaches you something for the next as well – filming live music in a car gave me a couple of tricks for getting decent sound in imperfect locations.
If I could make another 89 minutes just like this, I’d have a hell of a feature.
Tickets for the show are available now at MOSHTIX.COM.AU
THE LAST PROM – NOTHING BUT FLOWERS
While editing the video for The Last Prom’s Half In Shadow, Half In Light, I had an idea for their Nothing But Flowers cover. If Half In Shadow was the flagship, I wanted to make something underground. Inspired by this, and all the crappy/great public access videos online, I indulged my inner Harmony Korine and turned Toby King’s beautiful footage into a garish, fuzzy VHS daydream.
I think it meshes with the band’s jangly 80s sensibility perfectly. Hopefully it confuses a lot of people.








