MAUVAIS SANG AND THE LAST PROM
After falling in love with Holy Motors last year, I’ve plunged into Leos Carax’s filmography. Today I watched Mauvais Sang, and was struck by the similarity between this frame and one of our own.
Porcelain skin, white light, a splash of blue, bokeh on black, a sense of stillness. Mauvais Sang is superb and I highly recommend it.